With the new version of “Relative Calm” co-created by Robert Wilson and Lucinda Childs staged at the Shanghai Conservatory of Music Opera House, the 22nd China Shanghai International Arts Festival officially closed on the 19th. Over the past month, nearly a thousand events have strung together an “art feast”, benefiting more than 6 million audiences, achieving a “two-way rush” between artists and audiences.
This art festival launched 72 high-standard, high-quality performance projects, fully releasing the performance potential accumulated by Shanghai as a “performance dock” for 4 years. The newly produced four-part opera “The Ring of the Nibelung” held its world premiere in full version, attracting many audiences to “fly” to watch the drama; “Ghost Genius Conductor” Theodor Currentzis completed his Shanghai debut, and set a “small goal” to come to the art festival in the next 5 years… Faced with the concentrated performances of famous artists and troupes, many audiences are troubled by “choice syndrome” and “busy and happy” rushing to the theater.
The “starlight” of art not only illuminates the cultural life of the city, but also walks from the theater into the neighborhood and towards the classroom, sowing the seeds of art in the hearts of audiences of all ages. The art installation “Homeland” co-created by artist Liu Yi and children appeared on the Shanghai City Lawn Music Square; 17 teenagers became small actors in “The Ring of the Nibelung”; famous performing artist Pu Cunxin personally “checked” for primary and secondary school students’ recitation…
On the runway of the “Support Young Artists Plan” (hereinafter referred to as the “Support Youth Plan”) of the China Shanghai International Arts Festival, young artists soared into the sky like eaglets, and returned to “give back” to the place where dreams took off many years later. In 2017, Zheng Jie brought his cutting-edge choreography concept and was selected for the “Support Youth Plan” with the modern dance “Above Silence”; during this art festival, his dance theater “Three Admonitions·Mountain Moon” appeared in Shanghai as one of the commissioned works of the art festival. It is reported that this year’s “Support Youth Plan” for the first time recruited works from young artists worldwide, receiving more than 313 project applications from countries and regions such as the United Kingdom, Germany, Austria, Russia, and Malaysia.
As an important part of the art festival, this China Shanghai International Arts Festival Performance Fair attracted more than 560 institutions and more than 1700 representatives from more than 40 countries and regions, including the International Society for the Performing Arts (ISPA), the European Festival Association, and the Singapore Marina Art Center, etc., a total of more than 560 transaction intentions were reached, setting a new historical scale. 116 “introduction” intentions have defined the international vision of Shanghai escorts performing arts market in the next few years, and 103 “going out” intentions will bring surprises to the world with Chinese originals.
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